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Why Did Cocteau Base This Film on the Legend of Orpheus?

      As it says in the title of this blog post, I don't get why Cocteau decided that this film associate itself with the original myth of Orpheus, because in my opinion the only similarities are the main characters names and the going to the afterlife to retrieve a dead wife thing.  In the versions of the Orpheus myth I'm familiar with Orpheus is much less of a outright ass to Eurydice.  He's a absentminded and neglectful husband sure, but he certainly doesn't threaten her with harm when he's mad or act like he doesn't even like her.  I honestly feel that if it wasn't for the driver he never would've gone to save her.  Which leads me to another point, I feel like Heurtebise acts more like the Orpheus I am familiar with that Orpheus himself.  Although I suppose this is fitting as the two seem to be two sides of the same coin to me.  In my opinion Heurtebise embodies the love for Eurydice Orpheus seems to have thrown by the wayside in his sear...
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Celluloid Closet - John Cunningham

 As a child, I lived a very sheltered life. My hometown was small, my school was small (and Catholic), and I was an only child in my small (also very Catholic) family. Needless to say, I was not taught (nor did I see) much about of other walks of life outside my own. Due to my upbringing, this documentary was quite eye-opening for me. It unveiled the plights of a group of people that I had never truly understood the gravity of. Now, in all honesty, I'm not much of a movie watcher (aside from your standard "haha look at the funny animated Disney guy" when I was much younger), so most if not all of the content in this documentary was new to me. However, I remember learning about the various film censorship boards in the United States during my "History through Film" class in high school. I had heard how stringent these boards were, but I hadn't the slightest idea that they were so strict to the point of outright disallowing any mention of homosexuality in movi...
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The Celluloid Closet: An Evolution of Queer Depiction in Cinema - Bryan Cabral

           It is inherently interesting, at times heartbreaking how the culture for cinema changed when depicting LGBTQ+ characters. I like to think that, in a way, production companies and those of higher authority in Hollywood in the past have been playing this game of “Cat & Mouse”, where the higher-ups are the oppressive ‘Cat’ trying to catch the ‘Mouse’, that being, an element of LGBTQ+ being depicted in such a magnitude where the queer-coding begins to lose its effect, and is classified as inappropriate; therefore, condemned to further perpetuate the heteronormative agenda for that time period.               Part of what makes this documentary highly effective was its sheer honesty accommodated by multiple perspectives. From the 1920s, gay and lesbian characters were often depicted as a punchline to a joke about opposing behaviors of the hetero norm regarding gender expression. I was in...
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